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Greg: I've always loved the Eadd9 chord (diagram in the PDF) ... especially on a 12-string! On a whim I tried the same shape elsewhere and got the 2nd chord, and the two together got me going. It was a relief when I realised there was enough there to be a complete instrumental ... no words or singing ... HOORAY! Fiddle-farting about getting the right sounds can be a pain, but it's great once found. E.g. the MIDI bass is three separate samples ... plucked bass, fretless bass and synth pad. Together giving each note a discernable start, a shortish buzz and ongoing wash. Complex enough not to require other instruments other than the lead synth.