6. Clay Shapes
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We both agreed that this was perhaps the weakest of the tracks, one reason it was put in the middle of the album. At the time, I tried to meld with a beautiful Mozart piece (from ‘Variations’, shown in the song sheet). It was the intro and was reprised later, but it never reached its potential and, due to lack of time to polish it, felt bolted on rather than natural. Mike sang the lead and we used two acoustic guitars. The new version: • has a new intro (reprised later) • uses a tight tempo • adds percussion • a more 'natural' arrangement/sound for the orchestral piece • adds a panpipe/bottle riff • slight but effective changes of some chords to close relatives (e.g. Dm to Fma7, C to Cma7, etc.) • a stronger end to each chorus